Part 4 of the interview includes Wolfram Huschke's answers concerning music industry, self-marketing as an artist, and the issues of financing 2.0. Aspects of the latter in particular are crowdsourcing and services like bandstocks.com.
Tag / Wolfram.Huschke
I wasn't surprised at all to see Wolfram Huschke grab his Cello while I set up my MacBook. As you will see, he does not let the instrument go for one second during the interview. It doesn't fit in terms of seriousness but I can't help thinking of a ventriloquist with his puppet. They both are one. It is one voice that talks to you.
Today, it is the second and third part of my interview with Wolfram Huschke aka Cellonaut I present you with. We get to know about an interesting collaboration between Huschke and the Theatre of Trier's ballet company. Also, it highlights the economic shortcomings of working within full band context if you are a solo artist.
He toured USA, South Africa and Europe and eventually charted in Belgium and Greece. Huschke supported Westernhagen, one of Germany's most acknowledged and successful rock acts during tour playing stadiums like Munich Olympic Stadium. Also, he collaborated with Peter Hamill and Marianne Faithfull on the Huschke solo album "Alien Diary" which was produced by Hector Zazou.