Business Models

I started this article two days ago (which isn’t quite correct because I started writing it about a week ago), though I have yet to come to the main part - the lessons themselves. Hope you enjoy, have your read.
Continue reading "Music Business: Lessons In Free Strategies From..." »

If talking to independent musicians about the benefits of distributing content for free you most certainly will come across four arguments in monolithic defense.


Please note: I won’t discuss copyright issues in here. But no matter if you give away your song for free to billions of people or if you sell a licence to one company - your copyright in your song remains unaffected. Please keep that in mind.

Continue reading "Music Business: Lessons In Free Strategies From..." »

I came across this when browsing this year’s program to Luxembourg’s Sonic Visions festival and - you guessed it - conference.

Obviously, the question is a more rhetoric one. At least I hope so. Too bad if announced panel’s conclusion would be to reduce and cut conferences. Of course, some conferences appear dispensable. Actually, changes in music industry indicate that some sort of conferences has become redundant.
Continue reading "Do We Need Music Conferences?" »

Is this provocative to ask? Well, yes. No. Depends on. Of course everyone has his ups and downs. Yet there’s more to it. Because nobody has the skills to be creative in every field. Or is there a sculptor in your band who is perfect in weaving tapestries, writing scripts for plays at the Old Vic, and at the same time artfully handling his stock shares himself and piling up his riches at the Caimans?

So why do I ask?

I’m not talking about finding a strategy or business model here. It is the very basic that comes first: ideas. Sounds simple, but be prepared for hard efforts. You know for yourself that ideas just won’t pop up when handy.

Continue reading "DIY-Marketing #2: Can Artists Be Creative?" »

Actually, I intended to start out with suggestions in DIY marketing for artists today. Suggestions I would have come up with by myself.

Then Amanda Palmer posted her response to the feedback her posting on donations generated. Anyone: Read her response. In full. It is essential and the basics to everything I can tell you. Some of it she already mentioned at Berlin’s all2gethernow.

For all those who don’t have the time to read through Amanda’s terrific response I’m going to highlight some parts.

On her website, Amanda has a page called “The Till”. Anybody who’s willing to can pay any amount as a donation. If you pay you will get no CD, merch or whatsoever.



Why to pay anything? Does she really think there are people crazy enough doing so? - That’s what you might think.

my cellist friend zoe keating (@zoecello), who more or less runs her own business out of her house (and isn’t signed), told me a few days ago on the phone that people have been ordering multiple CDs directly from her website and simply putting, in the comments section of paypal “PLEASE DON’T MAIL ME THESE CDS - i just wanted to send $40 because i want to support you!”.

Please note: Zoe Keating is a rather unknown artist. If you’re regularly reading liner notes though, you may have read her name on covers of Amanda’s works as well as Rasputina’s and others.

Continue reading "DIY-Marketing #1: Amanda Palmer's Basics in..." »

Deutscher Artikel: Siehe “Der Tagesspiegel” vom 26.07.2009. Continue reading "Die gute Tat der Piraten - von Kolja Reichert" »

I just stumbled upon this via an article at TechDirt. But, it’s Trent Reznor again who has something to say - and it’s absolutely essential to every musician out there. Maybe labels might consider reading it too. It’s his “thoughts on what to do as a new / unknown artist” these days.

Funny thing is, when posting this to the NIN forum Reznor obviously was on his way to Luxembourg... I’m still suffering from the aggressive light show yesterday. But the NIN gig was a pure intoxication of virtuosity & entertainment.

Reznor’s point is straight forward and easy to understand.

Bottom line is, master music & online tools, work hard, deliver something good - and sell something unique other than music. Because you can’t rely on selling (recorded) music in itself. Music is ubiquitous. And it’s free. Cash is about extras.

Some advice by Reznor is about what to avoid and what to do in particular. The aspects he mentions do remind me a lot of Andrew Dubber’s ebook “The 20 Things You Must Know About Music Online”. For a free download go here for the English version (German version).

[Deutsche Version] Earlier in March, I mentioned Michael Masnick was about to hold a keynote presentation at Leadership Music Digital Summit 2009 in Nashville. He announced to update the case study on Trent Reznor (= Nine Inch Nails) he presented at Midem, which was simply brilliant. So the expectation of extending a presentation of this quality requires full attention.

I was hoping for another video of the presentation, and yes, finally here it is. While the first one ran 15 minutes, the keynote clocks in at almost 30 minutes – and every second is worth it. After Midem’s presentation, one of the main issues many people had was about how Reznor’s business model could not apply to less known artists building upon a much smaller fanbase. Hence, Masnick’s pays tribute to this and takes into account several musicians from different success levels.

No spoilers here, just sit back and watch it. And have some good laughs.

Unfortunately, if you’re a major label’s executive chances are you might not be amused at all.

This video is essential for learning.




Leadership Music Digital Summit 2009
Mike Masnick keynote address, 3/25/09
from Leadership Music Digital Summit on Vimeo

Michael Masnick revisits the shutting down of SpiralFrog, putting emphasis on the fact that however a new idea in online music business gets hailed, there still is at least one predominant reason for failure. To succeed, you have to offer more than what you can get for free using bit torrents. As I mentioned before, quite along the lines of Michael Masnick’s Reznor case study, you need real added value. It’s what Masnick calls the "reason to buy". Add something to the product (= music) to be obtained nowhere else, be it quality, quantity or core competence.

Learn from history or fail to succeed.

Michael Masnick has been announced to hold the keynote presentation at Leadership Music Digital Summit 2009, taking place from Monday, March 23, 2009 on until Wednesday, March 25, 2009 at Belmont University's Curb Event Center, Nashville, Tennessee.

Don't miss the chance to witness an updated version of his Trent Reznor case study. Yes, Trent did it again. Michael intends to refer to the latest online activities by Nine Inch Nails which started just two days ago at Twitter. Luckily enough, I just started running twhirl when Trent came up.

Also, Jim Griffin of Choruss fame will be there. Might be fun to see him again shoulder arms to fight the "pirates"...